Ahh, another refeshing & enlighting album of the Canterbury Scene. Robert Wyatt, composes all of the tracks (with the exception of part of "The Dance" which was composed soley on guitarist Phil Miller & "O Caroline" which was a collaboration with ex-Caravan keyboardist David Sinclair). Consisting of playful lyrics & technical jams, I have to say it is an astonishing album, but I do not rate it perfectly because the two last tracks are just aimless expiremental tracks that drag. Mellotron fans should enjoy it though!
BTW: The name Matching Mole was chosen as a pun on Soft Machine (the sound of the English words "matching mole" are very similar to the French translation of "soft machine," machine molle).
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